
Happy birthday. A Livewire Dalek for $250.
That's a full set of the well known Livewires - see here.
I have been fascinated by synthesisers since Wendy Carlos's first album. I started buying eurorack modules when approaching retirement and have continued while a person of leisure. I don't perform, I just make noises. Sometimes I get bored with the range and pretentiousness of boutique modules, but I always return to the noises. I get as almost much pleasure from building the housing units as playing with the modules themselves.
Maker | Model | Links | Notes |
---|---|---|---|
Wiard | Noisering | Muff1 - Muff2 - Wiard | Two Muffwiggler threads and and an old Blacet manual. |
Pittsburgh | Chain Reactor | Product page | |
Wiard | Anti-Oscillator | Muff | More Muff |
Doepfer | Inverter | Manual | |
Doepfer | Clock Divider | Manual | |
Wiard | Wogglebug | Manual | |
Pittsburgh | Sequencer | Product page | |
Doepfer | Sample and Hold | Manual | |
Doepfer | Envelope Generator | Manual | |
Doepfer | A-132.3 Dual VCA | A-130 | no manual, simple exp VCA link |
"The reason this idea came to mind was a recent piece in The Times referring to a lecture by Marcus du Sautoy at the Royal Society available here entitled The secret mathematicians, it concerned the use of maths in art and starts with a piece by Messiaen, Quartet for the End of Time. It uses rhythms of 17 and 29 beats - as these are prime numbers, a sequence would not repeat (at least until you get to 17*29).
I think La Monte Young used primes too.
The lecture also refers to the Fibonacci series which I think is mentioned in a later post but I haven't got there yet.
Anyway, as I play with long automated noises, I thought prime-based rhythms would be fun.
A prime number is only divisible by one and itself (2, 3, 5, 7, 11, 13, 17 etc).
Cheers, Nick"