I have been fascinated by synthesisers since Wendy Carlos's first album. I started buying eurorack modules when approaching retirement and have continued while a person of leisure.
I don't perform, I just make noises. Sometimes I get bored with the range and pretentiousness of boutique modules, but I always return to the noises.
I get as almost much pleasure from building the housing units as playing with the modules themselves.
The racks are on the way from Schneiders.
1. Case 4
2. With a new handle from Buster Cases
3. Doepfer power rails in
4. Double plywood sides in to support the rack ears.
Having moved the Rietveld desk to the back bedroom, the first noise was from the 676 and the Doepfer Spring Reverb. I began by using the uLFO to provide CV control, but abandoned this for knob-twiddling by hand. The 676 is sensitive to variations and the strategy I have learned is to fiddle gently with the other controls, then adjust the modulator until it gets edgy again.
Another first, a video on Vimeo using the Sony 190: sound from the camera as a temporary measure.
I have made a start on the woodwork. The Trogotronic has arrived. It is a Thing of Beauty. And nice instructions: I'll post a copy. The box states THIS MACHINE KILLS FASCISTS, which is far more encouraging than Eric Barbour'sYour music still sucks on the box of the Metasonix R54 (I have the Mark I, but that page is no longer on their site). I expect the two modules will look very pretty glowing side-by-side.
Anyway, due to pick up the power supply from Maplin tomorrow.
I'll try it in the Happy Endings while Case #4 is under construction.
The Schneiders order is waiting for a delivery and should ship in early January.
The fourth case is large, deep and rather primitive, again from a camera fair. I have ordered aluminium rails from Schneiders and will start the build in the New Year. I'm getting a Doepfer Spring Reverb for Christmas and this should fit nicely in the lid. I also took the opportunity to order Strakal Brulu germanium fuzz module (that page can take a long time to load). I have finished the video course and so will post a video of the boxes ignoring one another one day. I still need a delay or two and some VC mixers cheaper than the Cwejman.
I have also had to buy a Trogotronic 676. They have somehow managed to bottle Keith Emerson attacking his Hammond with kitchen knives (ref. Karelia Suite, Five Bridges, I saw it in Cardiff when still at school several decades past). There is no finer sound. Starts at 6:14 here.
The module takes a separate power supply - that's an admirable attribute. I'll install it in Case #4, add a separate XLR power input which I'll paint red.
Two new red modules in one day. It must be Christmas.